Iambic Caricature and Self-representation as a Model for Understanding Internal References among Red-figure Vase-painters and Potters of the Pioneer Group.

von Hedreen, Guy Michael.
Veröffentlicht in An archaeology of representations :
Athens : Institut du Livre, A. Kardamitsa, 2009.
Umfang/Format: 200-239 ; 25 cm.

On the Magnitude of the Gods in Materialist Theology and Greek Art

von Hedreen, Guy Michael
Veröffentlicht in The Journal of Hellenic studies, 141 (2021)
London : Published by the Council of the Society, 2021
Umfang/Format: pages 31-53 : illustrations.

Unframing the Representation : the Frontal Face in Athenian Vase-Painting.

von Hedreen, Guy Michael.
Veröffentlicht in The Frame in Classical Art : a cultural history /
Cambridge : Cambridge University Press, 2017.
Umfang/Format: 154-187 ; 26 cm.

Smikros and Epilykos : Two Comic Inventions in Athenian Vase-Painting.

von Hedreen, Guy Michael.
Veröffentlicht in Athenian potters and painters.
Oxford : Oxbow Books, 2014.
Umfang/Format: 49-62.

The Semantics of Processional Dithyramb : Pindar's Second Dithyramb and Archaic Athenian Vase-Painting.

von Hedreen, Guy Michael.
Veröffentlicht in Dithyramb in context /
Oxford : Oxford University Press, 2013.
Umfang/Format: 171-197 ; 24 cm.

Vase-painting and Narrative Logic : Achilles and Troilos in Athens and Etruria.

von Hedreen, Guy Michael.
Veröffentlicht in Red-figure pottery in its ancient setting :
Aarhus N : Aarhus Universitetsforlag, 2012.
Umfang/Format: 134-146 ; 30 cm.

Myths of ritual in Athenian vase-paintings of Silens.

von Hedreen, Guy Michael
Veröffentlicht in The origins of theater in ancient Greece and beyond : from ritual to drama /
Cambridge ; : New York :. Cambridge University Press, 2007.
Umfang/Format: 150-195 ; 26 cm.

[Review of:] Osborne, Robin: The Transformation of Athens: Painted Pottery and the Creation of Classical Greece.

von Hedreen, Guy Michael.
Veröffentlicht in American journal of archaeology, 123 (2019)
Boston : Archaeological Institute of America, located at Boston University, 2019.

The image of the artist in archaic and classical Greece : art, poetry, and subjectivity

von Hedreen, Guy Michael
New York, NY : Cambridge University Press, 2016.
Umfang/Format: xv, 364 pages, [16] pages of plates : ill. (coloured) ; 27 cm.

The image of the artist in archaic and classical Greece : art, poetry, and subjectivity

von Hedreen, Guy Michael
New York, NY : Cambridge University Press, 2016.
Umfang/Format: xv, 364 pages.

Bild, Mythos, and Ritual : Choral Dance in Theseus's Cretan Adventure on the François Vase

von Hedreen, Guy Michael.
Veröffentlicht in Hesperia, 80.2011
[Princeton, N.J. : Institute for Advanced Study], 2011.
Umfang/Format: 491-510 : ill.

Silens in Attic black-figure vase-painting : myth and performance

von Hedreen, Guy Michael, 1958-
Ann Arbor : University of Michigan Press, 1992.
Umfang/Format: x, 219 p., [40] p. of plates : ill. ; 24 cm.

Capturing Troy : the narrative functions of landscape in archaic and early classical Greek art

von Hedreen, Guy Michael, 1958-
Ann Arbor, Mich. : University of Michigan Press, 2001.
Umfang/Format: 297 S., 50 Taf.

Material world : the intersection of art, science, and nature in ancient literature and its Renaissance reception

NIKI studies in Netherlandish-Italian art history v. 15
Leiden ; Boston : Brill, [2021]
Umfang/Format: xvii, 308 pages : illustrations ; 24 cm