The clothed body in the ancient world

Weitere Verfasser: Cleland, Liza.
Harlow, Mary, 1956-
Llewellyn-Jones, Lloyd.
Ort/Verlag/Jahr: Oxford, England : Oxbow Books, 2005.
Umfang/Format: xvi, 224 p. : ill. ; 25 cm.
Schlagworte:
Inhalte/Bestandteile: 9 Datensätze
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245 0 4 |a The clothed body in the ancient world /  |c edited by Liza Cleland, Mary Harlow and Lloyd Llewellyn-Jones. 
260 |a Oxford, England :  |b Oxbow Books,  |c 2005. 
300 |a xvi, 224 p. :  |b ill. ;  |c 25 cm. 
504 |a Includes bibliographical references (p. [169]-192). 
505 0 |t 'I wear this therefore I am' : the clothed body in the ancient world /  |r Mary Harlow, Lloyd Llewellyn-Jones and Liza Cleland --  |t The decorated body in ancient Egypt : Hairstyles, cosmetics and tattoos /  |r Joann Fletcher --  |t The fashioning of Delila : costume design, historicism and fantasy in Cecil B. DeMille's Samson and Delilah (1949) /  |r Lloyd Llewellyn-Jones --  |t Reconstructing Aegean Bronze Age fashions /  |r Ariane Marcar --  |t Trailing tunics and sheepskin coats: Dress and status in early Greece /  |r Hans von Wees --  |t Constu(ct)ing gender in the feminine Greek peplos /  |r Mirielle Lee --  |t New clothes, a new you : clothing and character in Aristophanes /  |r James Robson --  |t Beauty in rags : on rhakos in Aristophanic theatre /  |r Silvia Milanezi --  |t The semiosis of description : some reflections on fabric and colour in the Brauron inventories /  |r Liza Cleland --  |t Viewing and obscuring the female breast : glimpses of the ancient bra /  |r Emma J Stafford --  |t The toga praetexta of Roman children and praetextate garments /  |r Judith Sebesta --  |t What made the Roman toga virilis? /  |r Glenys Davies --  |t Men are Mars, women are Venus : divine costumes in Imperial Rome /  |r Shelley Hales --  |t Dress in the Historia Augusta : the role of dress in historical narrative /  |r Mary Harlow --  |t Get your kit on! Some issues in the depiction of clothing in Byzantium /  |r Liz James and Shaun Tougher --  |t Tunics from Kasr al-Yahud /  |r Orit Shamir. 
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