Space, time, and presence in the icon : seeing the world with the eyes of God
| 1. Verfasser: |
Antonova, Clemena, 1970-
|
|---|---|
| Weitere Verfasser: |
Kemp, Martin
|
| Ort/Verlag/Jahr: |
Farnham, England ; Burlington, VT :
Ashgate,
2010.
|
| Umfang/Format: |
xii, 193 p. : ill. ; 24 cm. |
| Schriftenreihe: |
Ashgate studies in theology, imagination, and the arts
|
| Schlagworte: | |
Inhaltsangabe:
- The role of time in pictorial art
- The role of time in the visual arts : seeing a picture in the twinkling of an eye
- The doctrine of the purity of art
- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next
- The problem of time in the pictorial arts Bakhtin's chronotope
- On reverse perspective : a critical reading
- Implications of the term reverse perspective : reverse of what?
- First stage : Florensky
- Second stage : Zhegin
- Third stage : Boris Uspensky
- An alternative view : Karl Doehlemann
- Registering presence in the icon
- The cult of images and Eastern Orthodox identity
- The western position : a critical reappraisal
- Icon and relic
- Real presence in the image
- Classical antique sources
- Christian sources : Byzantine theology of the image
- A modern view : the icon as symbol in Florensky's writings
- Seeing the world with the eyes of God : an alternative explanation of reverse perspective
- A new definition of reverse perspective as a prerequisite for the present hypothesis
- The cubist background
- The theosophical background
- Classical Greek sources on divine eternity
- Christian sources on divine eternity
- Theology through liturgy
- Theology through the arts
- The present hypothesis in context
- Leibniz and the way God sees things
- Schopenhauer and art as a repetition of eternity
- Worringer's eternalization of the object.
