Space, time, and presence in the icon : seeing the world with the eyes of God

1. Verfasser: Antonova, Clemena, 1970-
Weitere Verfasser: Kemp, Martin
Ort/Verlag/Jahr: Farnham, England ; Burlington, VT : Ashgate, 2010.
Umfang/Format: xii, 193 p. : ill. ; 24 cm.
Schriftenreihe: Ashgate studies in theology, imagination, and the arts
Schlagworte:
Inhaltsangabe:
  • The role of time in pictorial art
  • The role of time in the visual arts : seeing a picture in the twinkling of an eye
  • The doctrine of the purity of art
  • The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next
  • The problem of time in the pictorial arts Bakhtin's chronotope
  • On reverse perspective : a critical reading
  • Implications of the term reverse perspective : reverse of what?
  • First stage : Florensky
  • Second stage : Zhegin
  • Third stage : Boris Uspensky
  • An alternative view : Karl Doehlemann
  • Registering presence in the icon
  • The cult of images and Eastern Orthodox identity
  • The western position : a critical reappraisal
  • Icon and relic
  • Real presence in the image
  • Classical antique sources
  • Christian sources : Byzantine theology of the image
  • A modern view : the icon as symbol in Florensky's writings
  • Seeing the world with the eyes of God : an alternative explanation of reverse perspective
  • A new definition of reverse perspective as a prerequisite for the present hypothesis
  • The cubist background
  • The theosophical background
  • Classical Greek sources on divine eternity
  • Christian sources on divine eternity
  • Theology through liturgy
  • Theology through the arts
  • The present hypothesis in context
  • Leibniz and the way God sees things
  • Schopenhauer and art as a repetition of eternity
  • Worringer's eternalization of the object.