Dialogues with the past : classical reception theory & practice
| Körperschaft: |
Reception of Ancient Greek and Roman Drama Conference
|
|---|---|
| Weitere Verfasser: |
Bakogianni, Anastasia
|
| Ort/Verlag/Jahr: |
London :
Institute of Classical Studies, School of Advanced Study, University of London,
2013.
|
| Umfang/Format: |
2 volume (x, 472 pages) : illustrations ; 25 cm. |
| Schriftenreihe: |
Bulletin supplement (University of London. Institute of Classical Studies)
126 |
| ISBN: | 1905670540 1905670559 9781905670543 9781905670550 |
| Schlagworte: | |
| Inhalte/Bestandteile: | 3 Datensätze |
MARC
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| 245 | 0 | 0 | |a Dialogues with the past : |b classical reception theory & practice / |c edited by Anastasia Bakogianni. |
| 264 | 1 | |a London : |b Institute of Classical Studies, School of Advanced Study, University of London, |c 2013. | |
| 300 | |a 2 volume (x, 472 pages) : |b illustrations ; |c 25 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Bulletin supplement (University of London. Institute of Classical Studies) |v 126 | |
| 830 | 0 | |a Bulletin supplement (University of London. Institute of Classical Studies) |v 126 |9 65591 | |
| 500 | |a "Many of these essays began life as papers at the Reception of ancient Greek and Roman Drama Conference held at the Institute of Classical Studies (11-13 June 2008)"--Introduction. | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Volume 1. Introduction: in dialogue with the past / Anastasia Bakogianni -- Section 1. Theoretical approaches and concerns. Chapter 1. The audience in classical reception studies. The problem of the spectators: ancient and modern / Lorna Hardwick -- Greek tragedy and the modern director / Helen Eastman -- Chapter 2. Reception and the source text. Hallucination, drunkenness, and mirrors: ancient reception of modern drama / Chiara Thumiger -- Throwing out the menos with the bath water: the Sophoclean text vs Peter Stein's Electra (2007) / Efimia D. Karakantza -- Section 2. The classical past in Hellas. Chapter 3. Modern Greek performance reception. All the king's patriots? The Persians within the walls of nineteenth-century Athens / Gonda Van Steen -- At the receiving end: tragic and comic intertextuality in Bost's newfangled Medea / Maria Troupi -- Chapter 4. Byzantine receptions. Christus Patiens and the reception of Euripides' Bacchae in Byzantium / Marigo Alexopoulou -- Tragedy in Byzantium: the reception of Sophocles in Eusthanthios' Homeric commentaries / Antony Makrinos -- Chapter 5: The reception of ancient art in Nikos Engonopoulos. Art and poetics in NIkos Engonopoulos. The metaphysics of statues / Hara Thliveri -- Chapter 6. The Euripidean trilogy of Michael Cacoyannis. Re-politicizing Euripides: the power of the peasantry in Michael Cacoyannis' Electra (1962) / Charles Chiasson -- Who rules this nation: political intrigue and the struggle for power in Michael Cacoyannis' Iphigenia (1977) / Anastasia Bakogianni -- Cacoyannis' trilogy: out of the spirit of music / Stella Voskaridou. | |
| 505 | 0 | |a Volume 2. Introduction: in dialogue with the past 2 / Antastasia Bakogianni -- Chapter 1. Performance reception. Feeling the words in Sophocles' Electra / Jane Montgomery Griffiths -- Sarah Ruhl's Eurydice: a dramatic study of the Orpheus myth in reverse / Athena Coronis -- 'Absolute Alcestis': Robert Wilson stages Euripides and Heiner Müller (Stuttgart 1987) / Hans Peter Obermayer -- Chapter 2. Performance histories. Performances of Greek and Roman drama at the Roman theatre of Sagunto (1982-2008) / Laura Monrós-Gaspar -- Five Medeas: Euripides in Brazil / Maria Cecília Coelho -- Chapter 3. French receptions. 'Accidental creativity': scribes, scholars, translators, and the Iphigenia dramas of seventeenth-century France / Susanna Phillippo -- Peladan's symbolist Prométhéide and the transformation of world in fin de siècle Paris / Paul Monaghan -- Chapter 4. Latin receptions. The attack-scene in Euripides' Alexandros and its reception in Etruscan art / Ioanna Karamanou -- Imperial love affairs on the stage: the pseudo-Senecan Praetexta Octavia and the opera Il Nerone (1679) / Gesine Manuwald -- Contaminatio and adaptation: the modern reception of ancient drama as an aid to understanding Roman comedy / Lisa Maurice -- Index. | |
| 590 | 0 | 0 | |a r0514 |
| 650 | |a London 2008 |g Kongresse und Tagungen L |2 xPraxKongrL |9 80026 | ||
| 650 | 0 | |a Classical literature |x History and criticism. | |
| 650 | 0 | |a Greek drama |x History and criticism. | |
| 650 | 0 | |a Latin drama |x History and criticism. | |
| 650 | 0 | |a Reader-response criticism. | |
| 700 | 1 | |a Bakogianni, Anastasia |9 108198 | |
| 711 | 2 | |a Reception of Ancient Greek and Roman Drama Conference |d (2008 |c University of London. Institute of Classical Studies) | |
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| 999 | |c 1107551 |d 1107551 | ||
