The Oxford handbook of Greek Drama in the Americas

Parallelsachtitel: Greek Drama in the Americas
Weitere Verfasser: Bosher, Kathryn, 1974-2013 , [HerausgeberIn]
Macintosh, Fiona, 1959- , [HerausgeberIn]
McConnell, Justine, , [HerausgeberIn]
Rankine, Patrice D., , [HerausgeberIn]
Ort/Verlag/Jahr: Oxford, United Kingdom : Oxford University Press, 2015.
Ausgabe: First edition.
Umfang/Format: xli, 880 pages : illustrations.
Schriftenreihe: Oxford handbooks
Schlagworte:
Online Zugang: Available online Oxford Handbooks Online
Contributor biographical information
Publisher description
Table of contents only
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245 0 4 |a The Oxford handbook of Greek Drama in the Americas /  |c edited by Kathryn Bosher, Fiona Macintosh, Justine McConnell, and Patrice Rankine.  |h Electronic resource 
246 3 0 |a Greek Drama in the Americas 
250 |a First edition. 
300 |a xli, 880 pages :  |b illustrations. 
490 0 |a Oxford handbooks 
504 |a Includes bibliographical references and index. 
505 0 0 |t Theories and methods.  |t Introduction /  |r Fiona Macintosh, Justice McConnell, and Patrice Rankine --  |t An archival interrogation /  |r Susan Curtis --  |t New worlds, old dreams?: postcolonial theory and reception of Greek drama /  |r Barbara Goff and Michael Simpson --  |t Shaping American theater (1800-1900).  |t Grecian theater in Philadelphia, 1800-1870 /  |r Lee T. Pearcy --  |t Thebes in the New World: revisiting the New York Antigone of 1845 /  |r Fiona Macintosh --  |t Julia Ward Howe's Hippolytus /  |r Helene P. Foley --  |t Professional tragedy: the case of Medea in Chicago, 1867 /  |r Kathryn Bosher and Jordana Cox --  |t Barbarian queens: race, violence, and antiquity on the nineteenth-century United States stage /  |r Robert Davis --  |t When Greeks stand you up, invite Romans: the ancient world on the nineteenth-century American stage /  |r David Mayer --  |t Modernisms in the Americas (1900-1930).  |t The migrant muse: Greek drama as feminist window on American identity, 1900-1925 /  |r Edith Hall --  |t Iphigenia amongst the Ivies, 1915 /  |r Niall W. Slater --  |t Treading the arduous road to Eleusis, nationalism, and feminism in early post-World War I Canada: Roy Mitchell's 1920 The Trojan women /  |r Moira Day --  |t Greek tragedy and modern dance: an alternative archaeology? /  |r Artemis Leontis --  |t Eugene O'Neill's quest for Greek tragedy /  |r Vassilis Lambropoulos --  |t The living pasts (1925-1970).  |t Choreographing the classics, performing sexual dissidence /  |r Susan Manning --  |t Greek tragedy in Mexico /  |r Francisco Barrenechea --  |t Moving and dramatic Athenian citizenship: Edith Hamilton's Americanization of Greek tragedy /  |r Judith P. Hallett -- 
505 8 0 |t A new stage of laughter for Zora Neale Hurston and Theodore Browne: Lysistrata and the Negro Units of the Federal Theatre Project /  |r Lena M. Hill --  |t Aristophanic comedy in American musical theater, 1925-1969 /  |r John Given --  |t Cubanizing Greek drama: José Triana's Medea in the mirror (1960) /  |r Konstantinos P. Nikoloutsos --  |t Creative collisions (1948-1968).  |t Revolutionizing Greek tragedy in Cuba: Virgilio Piñera's Electra Garrigó /  |r Rosa Andújar --  |t A Brazilian echo of Antigone's "Collision": tragedy, clean and filthy /  |r Paul B. Dixon --  |t The darkening of Medea: geographies of race, (dis)placement, and identity in Agostinho Olavo's Além do Rio (Medea) /  |r José de Paiva Dos Santos --  |t The frontiers of David Cureses' La frontera /  |r Aníbal A. Biglieri --  |t Brothers at war: Aeschylus in Cuba, 1968 and 2007 /  |r Isabelle Torrance --  |t The search for the omni-Americans (1970s-2013).  |t Metaphor and modernity: American themes in Herakles and Dionysus in 69 /  |r Thomas E. Jenkins --  |t Lee Breuer's new American classicism: The gospel at Colonus' "integration statement" /  |r Justine McConnell --  |t Greek tragedy, enslaving or liberating?: the example of Rita Dove's The darker face of the Earth /  |r Nancy Sorkin Rabinowitz --  |t The power of Medea's sisterhood: democracy on the margins in Cherríe Moraga's The hungry woman: a Mexican Medea /  |r Katie Billotte --  |t August Wilson and Greek drama: blackface minstrelsy, "spectacle" from Aristotle's Poetics, and Radio golf /  |r Patrice Rankine --  |t "Aeschylus got flow!": Afrosporic Greek tragedy and Will Power's The seven /  |r Kevin J. Wetmore, Jr. -- 
505 8 0 |t Making women visible: multiple Antigones on the Colombian twenty-first-century stage /  |r Moira Fradinger --  |t Democratic appropriations: Lysistrata and political activism /  |r Dorota Dutsch --  |t Reclaiming Euripides in Harlem /  |r Melinda Powers --  |t Oedipus Tyrannus in South America /  |r María Florencia Nelli --  |t Greek drama on the U.S. west coast, 1970-2013 /  |r Mary-Kay Gamel --  |t Performing for soldiers: twenty-first-century experiments in Greek theater in the U.S.A. /  |r Laura Lodewyck and S. Sara Monoson --  |t Greek drama in Canada: women's voices and minority views /  |r Hallie Rebecca Marshall --  |t Practitioner perspectives.  |t On remixing the classics and directing Countee Cullen's Medea and Law Chavez's Señora de la pinta: an interview with theater director Daniel Banks /  |r Patrice Rankine and Daniel Banks --  |t This bird that never settles: a virtual conversation with Anne Carson about Greek tragedy /  |r Yopie Prins --  |t Medea in Brazil: interview with director Heron Coelho /  |r Cesar Gemelli --  |t An interview with Héctor Levy-Daniel / María Florencia Nelli --  |t Charles Mee's "(re)making" of Greek drama /  |r Erin B. Mee --  |t An interview with Carey Perloff /  |r Margaret Williamson --  |t Eclectic encounters: staging Greek tragedy in America, 1973-2009 /  |r Rush Rehm --  |t The shock of recognition: Nicholas Rudall's translation of Greek drama for the Chicago stage at Court Theatre /  |r Justine McConnell and Patrice Rankine --  |t In conversation with Peter Sellars: what does Greek tragedy mean to you? /  |r Avery Willis Hoffman --  |t The Women and War Project /  |r Peggy Shannon --  |t Dionysus in 69 in 2009 /  |r Shawn Sides --  |t Talking Greeks with Derek Walcott /  |r Helen Eastman --  |t Afterword.  |t Audiences across the pond: oceans apart or shared experiences? /  |r Lorna Hardwick. 
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650 4 |a Theater  |l de  |z America  |x History  |y 20th century.  |9 273151 
650 4 |a Theater  |l de  |z America  |x History  |y 21st century.  |9 273151 
650 0 |a Greek drama  |x History and criticism. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
700 1 |a Bosher, Kathryn,  |d 1974-2013  |e editor.  |9 98835 
700 1 |a Macintosh, Fiona,  |d 1959-  |e editor. 
700 1 |a McConnell, Justine,  |e editor. 
700 1 |a Rankine, Patrice D.,  |e editor. 
856 4 1 |z Available online Oxford Handbooks Online  |u http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199661305.001.0001/oxfordhb-9780199661305?rskey=ZRRTPJ&result=1 
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