The Oxford handbook of Greek Drama in the Americas
| Parallelsachtitel: |
Greek Drama in the Americas |
|---|---|
| Weitere Verfasser: |
Bosher, Kathryn, 1974-2013
, [HerausgeberIn]
Macintosh, Fiona, 1959- , [HerausgeberIn] McConnell, Justine, , [HerausgeberIn] Rankine, Patrice D., , [HerausgeberIn] |
| Ort/Verlag/Jahr: |
Oxford, United Kingdom :
Oxford University Press,
2015.
|
| Ausgabe: | First edition. |
| Umfang/Format: |
xli, 880 pages : illustrations. |
| Schriftenreihe: |
Oxford handbooks
|
| Schlagworte: | |
| Online Zugang: |
Available online Oxford Handbooks Online Contributor biographical information Publisher description Table of contents only |
Inhaltsangabe:
- Theories and methods.
- Introduction /
- Fiona Macintosh, Justice McConnell, and Patrice Rankine
- An archival interrogation /
- Susan Curtis
- New worlds, old dreams?: postcolonial theory and reception of Greek drama /
- Barbara Goff and Michael Simpson
- Shaping American theater (1800-1900).
- Grecian theater in Philadelphia, 1800-1870 /
- Lee T. Pearcy
- Thebes in the New World: revisiting the New York Antigone of 1845 /
- Fiona Macintosh
- Julia Ward Howe's Hippolytus /
- Helene P. Foley
- Professional tragedy: the case of Medea in Chicago, 1867 /
- Kathryn Bosher and Jordana Cox
- Barbarian queens: race, violence, and antiquity on the nineteenth-century United States stage /
- Robert Davis
- When Greeks stand you up, invite Romans: the ancient world on the nineteenth-century American stage /
- David Mayer
- Modernisms in the Americas (1900-1930).
- The migrant muse: Greek drama as feminist window on American identity, 1900-1925 /
- Edith Hall
- Iphigenia amongst the Ivies, 1915 /
- Niall W. Slater
- Treading the arduous road to Eleusis, nationalism, and feminism in early post-World War I Canada: Roy Mitchell's 1920 The Trojan women /
- Moira Day
- Greek tragedy and modern dance: an alternative archaeology? /
- Artemis Leontis
- Eugene O'Neill's quest for Greek tragedy /
- Vassilis Lambropoulos
- The living pasts (1925-1970).
- Choreographing the classics, performing sexual dissidence /
- Susan Manning
- Greek tragedy in Mexico /
- Francisco Barrenechea
- Moving and dramatic Athenian citizenship: Edith Hamilton's Americanization of Greek tragedy /
- Judith P. Hallett
- A new stage of laughter for Zora Neale Hurston and Theodore Browne: Lysistrata and the Negro Units of the Federal Theatre Project /
- Lena M. Hill
- Aristophanic comedy in American musical theater, 1925-1969 /
- John Given
- Cubanizing Greek drama: José Triana's Medea in the mirror (1960) /
- Konstantinos P. Nikoloutsos
- Creative collisions (1948-1968).
- Revolutionizing Greek tragedy in Cuba: Virgilio Piñera's Electra Garrigó /
- Rosa Andújar
- A Brazilian echo of Antigone's "Collision": tragedy, clean and filthy /
- Paul B. Dixon
- The darkening of Medea: geographies of race, (dis)placement, and identity in Agostinho Olavo's Além do Rio (Medea) /
- José de Paiva Dos Santos
- The frontiers of David Cureses' La frontera /
- Aníbal A. Biglieri
- Brothers at war: Aeschylus in Cuba, 1968 and 2007 /
- Isabelle Torrance
- The search for the omni-Americans (1970s-2013).
- Metaphor and modernity: American themes in Herakles and Dionysus in 69 /
- Thomas E. Jenkins
- Lee Breuer's new American classicism: The gospel at Colonus' "integration statement" /
- Justine McConnell
- Greek tragedy, enslaving or liberating?: the example of Rita Dove's The darker face of the Earth /
- Nancy Sorkin Rabinowitz
- The power of Medea's sisterhood: democracy on the margins in Cherríe Moraga's The hungry woman: a Mexican Medea /
- Katie Billotte
- August Wilson and Greek drama: blackface minstrelsy, "spectacle" from Aristotle's Poetics, and Radio golf /
- Patrice Rankine
- "Aeschylus got flow!": Afrosporic Greek tragedy and Will Power's The seven /
- Kevin J. Wetmore, Jr.
- Making women visible: multiple Antigones on the Colombian twenty-first-century stage /
- Moira Fradinger
- Democratic appropriations: Lysistrata and political activism /
- Dorota Dutsch
- Reclaiming Euripides in Harlem /
- Melinda Powers
- Oedipus Tyrannus in South America /
- María Florencia Nelli
- Greek drama on the U.S. west coast, 1970-2013 /
- Mary-Kay Gamel
- Performing for soldiers: twenty-first-century experiments in Greek theater in the U.S.A. /
- Laura Lodewyck and S. Sara Monoson
- Greek drama in Canada: women's voices and minority views /
- Hallie Rebecca Marshall
- Practitioner perspectives.
- On remixing the classics and directing Countee Cullen's Medea and Law Chavez's Señora de la pinta: an interview with theater director Daniel Banks /
- Patrice Rankine and Daniel Banks
- This bird that never settles: a virtual conversation with Anne Carson about Greek tragedy /
- Yopie Prins
- Medea in Brazil: interview with director Heron Coelho /
- Cesar Gemelli
- An interview with Héctor Levy-Daniel / María Florencia Nelli
- Charles Mee's "(re)making" of Greek drama /
- Erin B. Mee
- An interview with Carey Perloff /
- Margaret Williamson
- Eclectic encounters: staging Greek tragedy in America, 1973-2009 /
- Rush Rehm
- The shock of recognition: Nicholas Rudall's translation of Greek drama for the Chicago stage at Court Theatre /
- Justine McConnell and Patrice Rankine
- In conversation with Peter Sellars: what does Greek tragedy mean to you? /
- Avery Willis Hoffman
- The Women and War Project /
- Peggy Shannon
- Dionysus in 69 in 2009 /
- Shawn Sides
- Talking Greeks with Derek Walcott /
- Helen Eastman
- Afterword.
- Audiences across the pond: oceans apart or shared experiences? /
- Lorna Hardwick.
