Rock Art and Sacred Landscapes.

1. Verfasser: Gillette, Donna L.
Weitere Verfasser: Breen Murray, William.
Greer, Mavis.
Helene Hayward, Michele.
Ort/Verlag/Jahr: New York, NY : Springer, 2013.
Ausgabe: 1st ed.
Umfang/Format: 1 online resource (287 pages).
Schriftenreihe: One world archaeology
Schlagworte:
Parallelausgabe: Rock Art and Sacred Landscapes (Print version:)
Online Zugang: Available online
Inhaltsangabe:
  • Intro
  • Contributors
  • Contents
  • Chapter 1: Introduction to Rock Art and Sacred Places
  • Introduction
  • Religion, Ritual, and Spiritualism
  • Spirituality
  • Ritual
  • Sacred Places
  • Summary of Contents
  • References
  • Chapter 2: Rock Art and Spirituality: Is the Rock Art of 30,000 Years Ago a Window to the Spirituality of the People of the Paleolithic?
  • Introduction
  • When Does It Begin?
  • Evolution
  • Shamans and the Unknown
  • Summary
  • References
  • Chapter 3: Silence of Signs-Power of Symbols: Rock Art, Landscape and Social Semiotics
  • Introduction
  • Rock Art in Southern Scandinavia
  • Typology and Comparative Dating
  • Extensive Pasture, Rock Carvings and the Politics of Landscape
  • Social Semiotics, Landscape and the Science of Signs
  • Silent and Powerful
  • References
  • Chapter 4: The Rock Art of Chinamwali and Its Sacred Landscape
  • The White Rock Paintings of South-Central Africa: A Brief Background
  • Rock Art and Girls' Initiation Ceremonies
  • Understanding Metaphor Representations in Rock Art
  • The Use of Spaces Within a Spiritual Landscape
  • References
  • Chapter 5: Rock Art and the Sacred Landscapes of Mainland Southeast Asia
  • Introduction
  • Cambodia
  • Thailand
  • Laos
  • Confluences and Coincidences
  • References
  • Chapter 6: Spirituality and Chinese Rock Art
  • Research History of Chinese Rock Art
  • Spirituality and Rock Art of the North
  • Spirituality and Rock Art of the Qinghai-Tibet Plateau
  • Spirituality and the Pictographs of Southwestern China
  • Spirituality and Petroglyphs of Eastern China
  • Conclusions
  • References
  • Chapter 7: Conflict on the Frontier: San Rock Art, Spirituality, and Historical Narrative in the Free State Province, South Africa
  • Introduction
  • Site BOS 1: Painted History?
  • Painted History? San Art and Historical Narrative.
  • Sotho, San, Bags, and Ritualistic Contexts
  • A Way Forward?
  • References
  • Chapter 8: Spiritual Places: Canadian Shield Rock Art Within Its Sacred Landscape
  • The Relation of Algonquian Cosmology and Sacred Landscape to Rock Art
  • Criteria to Consider for Interpreting Algonquian Rock Art Sacredness
  • Properties of the Rock Formation
  • Visual and Acoustic Phenomena
  • Cardinal Orientation of Sites
  • Ceremonies and Rituals Performed at Rock Art Sites
  • Conclusions
  • References
  • Chapter 9: Concepts of Spirit in Prehistoric Art According to Clifford Duncan, Ute Spiritual Elder
  • Introduction
  • Ute History
  • Rock Art
  • Shavano Valley Rock Art Site
  • Three Bears Panel at Shavano Valley
  • The Tunnel Cave at Shavano
  • Ute "Cosmic Tree" at Shavano
  • The Ute Bear Dance
  • Spiritual Discussion
  • Song Is a Spirit
  • Sacred Landscape
  • Summary
  • References
  • Chapter 10: Old Man Owl: Myth and Gambling Medicine in Klamath Basin Rock Art
  • Introduction
  • Site Description
  • Site Setting
  • Cultural Background
  • Rock Art and Spiritual Connections
  • Ethnographic Information
  • Acquisition of Supernatural Power
  • The Owl as Gambling Medicine
  • Discussion
  • References
  • Chapter 11: Trance and Transformation on the Northern Shores of the Chichimec Sea, Coahuila, Mexico
  • Environmental Contrasts
  • The Pecos River Style
  • Petroglyphs
  • Discussion
  • References
  • Chapter 12: Deer: Sacred and Profane
  • Rock Art, Ritual and Sacred Landscapes
  • References
  • Chapter 13: Religious Organization in the Late Ceramic Caribbean
  • Introduction
  • The Design Layout, Rock Art, and Sacred Places
  • The Design Layout and Chican Ostionoid Ceramics
  • The Design Layout and Sculptured Stone Artifacts
  • Considerations
  • References
  • Chapter 14: Communication and Thought in Rock Art: A Discussion of the Spiritual World of Rock Art in Colombia.
  • Introduction
  • Myths and Gods of the Cundinamarca-Boyaca High Plains Area
  • Sacred Sites and Rock Art in the Cundinamarca-Boyaca High Plains Area
  • Metaphysical and Religious Construction
  • Conclusions
  • References
  • Chapter 15: Spirituality in Rock Art Yesterday and Today: Reflections from the Northern Plains and Far Western United States
  • Introduction
  • Exploring the Term Sacred
  • The Ethnographic Approach and Ethnographic Analogy
  • A View from the Northern Plains
  • A View from the Far West (California)
  • Conclusions
  • References
  • Index.