Prehistoric Warfare and Violence : Quantitative and Qualitative Approaches.

1. Verfasser: Dolfini, Andrea.
Weitere Verfasser: Crellin, Rachel J.
Horn, Christian, 1978-
Uckelmann, Marion.
Ort/Verlag/Jahr: Cham : Springer, 2018.
Umfang/Format: 1 online resource (361 pages).
Schriftenreihe: Quantitative Methods in the Humanities and Social Sciences Ser.
Schlagworte:
Parallelausgabe: Prehistoric Warfare and Violence : Quantitative and Qualitative Approaches (Print version:)
Online Zugang: Available online
Inhaltsangabe:
  • Intro
  • Contents
  • Chapter 1: Interdisciplinary Approaches to Prehistoric Warfare and Violence: Past, Present, and Future
  • A Tale of Two Pasts
  • How the Book Is Organised
  • Towards a Multipolar Future for the Study of Warfare and Violence?
  • References
  • Part I: Skeletal Markers of Violence and Weapon Training
  • Chapter 2: Patterns of Collective Violence in the Early Neolithic of Central Europe
  • Introduction
  • Burial and Violence in the Linearbandkeramik
  • Sites of Collective Violence and/or Deviant Mass Burial
  • Talheim, Germany (Fig. 2.1, Site A) (Wahl and König 1987
  • Wahl and Strien 2007
  • Wahl and Trautmann 2012)
  • Asparn/Schletz, Austria (Fig. 2.1, Site B) (Teschler-Nicola et al. 1996, 1999, 2006
  • Teschler-Nicola 2012)
  • Wiederstedt, Germany (Fig. 2.1, Site C) (Meyer et al. 2004, 2013, 2014)
  • Schöneck-Kilianstädten, Germany (Fig. 2.1, Site D) (Lohr 2013
  • Meyer et al. 2013, 2014, 2015a
  • Lohr et al. 2017)
  • Further Sites
  • The Mass Grave of Halberstadt
  • Demographic Patterns of Collective Violence Victims in the Early Neolithic
  • Conclusion
  • References
  • Chapter 3: Perimortem Lesions on Human Bones from the Bronze Age Battlefield in the Tollense Valley: An Interdisciplinary Approach
  • Introduction
  • Materials and Methods
  • Results
  • Hipbone Lesion
  • Cranial Calotte with Embedded Arrowhead
  • Femur with Embedded Object
  • Discussion and Concluding Remarks
  • References
  • Chapter 4: Martial Practices and Warrior Burials: Humeral Asymmetry and Grave Goods in Iron Age Male Inhumations from Central Italy
  • Introduction
  • Archaeological Proxies of Martial Practices Among Iron Age Samnites from the Central Apennines
  • Aim of the Study and Expected Outcomes
  • Materials and Method
  • Materials
  • Status Index Analysis
  • Assessing Humeral Biomechanical Asymmetry (HUMBA) and its Directionality.
  • Layout of Weapons in Early Samnite Burials
  • Research Results
  • Discussion
  • Teasing Apart Warrior Burials and Burials of Warriors
  • Asymmetry, Handedness, and the Role of Weapon Training in Early Samnite Burials
  • Conclusion
  • References
  • Part II: Conflict in Prehistoric Rock Art
  • Chapter 5: War and Peace in Iberian Prehistory: The Chronology and Interpretation of the Depictions of Violence in Levantine Rock Art
  • Introduction
  • Levantine Rock Art: Graphic Evidence of a Violent Past
  • Foragers Versus Foragers?
  • Foragers Versus Farmers?
  • Conclusion
  • References
  • Chapter 6: Fast Like a War Canoe: Pragmamorphism in Scandinavian Rock Art
  • Introduction
  • Rock Art and Warriors in Southern Scandinavia
  • Morphing Things into Body Parts
  • Pragmamorphism: Body Parts and Material Qualities
  • Strong Like a Bronze Sword, Fast Like a War Canoe: Interpreting Bronze Age Rock Art
  • Conclusion
  • References
  • Chapter 7: "In the Beginning There Was the Spear": Digital Documentation Sheds New Light on Early Bronze Age Spear Carvings from Sweden
  • Introduction
  • Odin's Spear Gungnir
  • Three-Dimensional Documentation with Structure for Motion (SFM)
  • The Mighty Spearman from Litsleby
  • The Chronology of the Litsleby Panel
  • The Litsleby Spearheads: Typology and Chronology
  • The Spear and Warrior from Finntorp (Tanum, Bohuslän)
  • The Waving Spear from Kalleby (Tanum, Bohuslän)
  • The Spear Outlines from Tuna (Bälinge, Uppland)
  • Concluding Remarks
  • References
  • Chapter 8: Rock Art, Secret Societies, Long-Distance Exchange, and Warfare in Bronze Age Scandinavia
  • Introduction
  • Warriors Depicted in Rock Art
  • Rock Art and Bronze Age Scandinavian Society
  • Secret Societies
  • Secret Societies Cross-Culturally
  • Warfare, Slavery, and Long-Distance Exchange
  • Boat Guilds, Long-Distance Exchange, and Warfare.
  • The Making of Rock Art (Petroglyphs/Pictographs)
  • Other Ritual Activities Involving Theatre, Sacred Masks, and Dances, Along with a Shared Symbology with an Esoteric Meaning
  • The Warrior/Trader/Ritual Specialist Secret Society
  • Bronze Age Scandinavian Slave Raids
  • Bronze Age Scandinavian Boat Guilds, Long-Distance Exchange, and Warfare
  • Bronze Age Scandinavian Rock Art, Ritual Activity, Sacred Masks, Dances, and Secret Societies
  • Conclusions
  • References
  • Part III: The Material Culture of Conflict
  • Chapter 9: Body Armour in the European Bronze Age
  • Introduction
  • Chronology and Typology
  • Helmets
  • Greaves
  • Cuirasses
  • Manufacture
  • Helmets
  • Greaves
  • Cuirasses
  • Use
  • Helmets
  • Greaves
  • Cuirasses
  • Concluding Remarks
  • References
  • Chapter 10: Conflict at Europe's Crossroads: Analysing the Social Life of Metal Weaponry in the Bronze Age Balkans
  • Introduction
  • Breathing Life into Tools of Death
  • Taking Up Arms
  • Spearheads
  • Axes
  • Shields and Armour
  • Metallurgy
  • Microstructures
  • Metalwork Wear Analysis
  • What Broken Weapons in Hoards Tell Us About Weapon Production
  • Warfare
  • Discussion and Conclusion
  • References
  • Chapter 11: Ritual or Lethal? Bronze Weapons in Late Shang China
  • Introduction
  • The Late Shang at Anyang
  • Wear Analysis
  • Past Applications
  • The Dataset
  • Analytical Methodology and Protocol
  • Observations and Results
  • Manufacturing and/or Repair Marks
  • Use Marks
  • Depositional Treatment
  • Post-recovery Alterations
  • Reassessing the Function of Shang Weapons: A 'Ritual' Object in Focus
  • Conclusion
  • References
  • Chapter 12: Standardised Manufacture of Iron Age Weaponry from Southern Scandinavia: Constructing and Provenancing the Havor Lance
  • Introduction and Archaeological Background
  • Methods and Materials
  • Metallographic Analysis.
  • Conservation Effects
  • Construction
  • Ferritic Iron, Phosphoric Iron, and Steel
  • Carburisation
  • Heat Treatment
  • Slag Inclusion Analysis
  • Identifying Compositional Groups
  • Preliminary Provenance Hypotheses
  • Conclusion
  • References
  • Part IV: Intergroup Violence in Archaeological Discourse
  • Chapter 13: An Experimental Approach to Prehistoric Violence and Warfare?
  • Introduction
  • Thinking About Weapons and Violence in Bronze Age Contexts
  • Using Metalwork to Learn About Violence and Warfare
  • Experiments with Weapons
  • Strengths and Shortcomings of Experimental Research into Violence and Warfare
  • The Bronze Age Combat Project
  • Designing the Bronze Age Combat Project
  • Experimental Design to Experimental Reality
  • Evaluating the Bronze Age Combat Project
  • Connecting the Experiments with Prehistoric Weapons
  • Conclusion
  • References
  • Chapter 14: Value, Craftsmanship and Use in Late Bronze Age Cuirasses
  • Introduction
  • Metallurgy in Warfare
  • Iconic Cuirasses
  • Exploring the Concept of Value in Archaeology
  • The Dialogue Between Archaeology and Materiality
  • Concluding Remarks: Metal, Value and Warfare
  • References
  • Chapter 15: Untangling Bronze Age Warfare: The Case of Argaric Society
  • Introduction
  • Iberian Bronze Age Societies
  • Untangling the Evidence of Conflict and Warfare
  • Settlement Patterns and Fortifications
  • Specialised Weaponry
  • Human Remains
  • Discussion
  • Conclusions
  • References
  • Chapter 16: Conclusion: The Science of Conflict
  • Introduction
  • The Contribution of the Archaeological Sciences
  • Identity and Origins
  • Dates and Demography
  • Conclusions
  • References
  • Index.