Mural decoration in the Theban Necropolis : papers from the Theban Worshop 2016

Weitere Verfasser: Bryan, Betsy Morrell, , [HerausgeberIn]
Dorman, Peter, 1948- , [HerausgeberIn]
Ort/Verlag/Jahr: Chicago : Institute for the Study of Ancient Cultures of the University of Chicago, 2023.
Umfang/Format: 1 online resource (lvi, 252 pages) : illustrations (some color), PDF.
Schriftenreihe: Occasional proceedings of the Theban Workshop
Studies in Ancient Cultures 2
Schlagworte:
Online Zugang: open access
Inhaltsangabe:
  • Table of Contents
  • List of Figures
  • List of Tables
  • Preface
  • Abbreviations
  • Bibliography
  • 1. Tomb Painting in an Age of Decline: Late Ramesside Theban Tombs, by Tamás A. Bács
  • 2. Visibility and Hiddenness: Relational Meanings of Architectural Depictions in Eighteenth Dynasty Pre-Amarna Tomb Decoration, by Betsy M. Bryan
  • 3. Golden Coffins, Golden Tombs: Innovation and the Display of Social Power, by Kathlyn M. Cooney
  • 4. The Tomb Chapel of Hery (TT 12) in Context, by José M. Galán
  • 5. Scribal Captions and Painting in the Tomb Chapel of Neferrenpet (TT 43), by Melinda Hartwig
  • 6. Three Generations of Ramesside Foremen Honoring Goddesses: The Case for Anuket and Hathor in the Neferhotep Family, by Deanna Kiser-Go
  • 7. On the Alleged Involvement of the Deir el-Medina Crew in the Making of Elite Tombs in the Theban Necropolis during the Eighteenth Dynasty: A Reassessment, by Dimitri Laboury
  • 8. Epigraphic Interaction with the Theban Tombs’ Decoration: The Case of Graffiti and Visitors’ Inscriptions, by Chloé C. D. Ragazzoli
  • 9. A New Look at Meketre’s Sporting Boat, by Catharine H. Roehrig
  • 10. Two Previously Unrecorded Decorated Eighteenth Dynasty Private Tombs, by Gerry D. Scott III
  • 11. The Historicity of Theban Tomb Decoration, by JJ Shirley
  • 12. All Good and Pure Things on Which the God Lives: Toward a Study of Intericonicity in the Chapel of Hatshepsut at Deir el-Bahari, by Anastasiia Stupko-Lubczynska
  • 13. The Journey of Harwa: An Initiatory Path in a Funerary Monument of the Seventh Century BC, by Francesco Tiradritti.