Deep-Time Images in the Age of Globalization : Rock Art in the 21st Century

1. Verfasser: Abadía, Oscar Moro
Weitere Verfasser: Conkey, Margaret W.
McDonald, Josephine
Ort/Verlag/Jahr: Cham : Springer International Publishing : Imprint: Springer, 2024.
Ausgabe: 1st ed. 2024.
Schriftenreihe: Interdisciplinary Contributions to Archaeology,
ISBN: 3031546385
ISSN: 2730-6984
Schlagworte:
Archaeology.
Anthropology.
Sociology.
Inhaltsangabe:
  • Introduction. Deep-Times Images And The Challenges Of Globalization (Oscar Moro Abadía, Margaret Conkey, Jo McDonald)
  • Part I. Recentering Rock Art
  • Chapter 1. ‘Out Of Franco-Cantabria’: The Globalization of Pleistocene Rock Art (Aitor Ruiz-Redondo)
  • Chapter 2. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (Adam Brumm, Adhi Agus Oktaviana, Maxime Aubert)
  • Chapter 3. Rock Art, Modes Of Existence, And Cosmopolitics: A View From The Southern Andes (Andrés Troncoso)
  • Chapter 4. Regional Reponses to Global Climate Change: Exploring Anthropomophic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe during the Late and Terminal Pleistocene (Peter Veth, Sam Harper, and Martin Porr)
  • Part II. Comparative Views on Global Art
  • Chapter 5. The Divide Between ‘European’ And ‘Indigenous’ Rock Arts: Exploring A Eurocentic Bias In The Age Of Globalization (Oscar Moro Abadía, Amy C. Chase)
  • Chapter 6. Rock Art Research and Knowledge-Production in the Context of Globalisations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada (Danae Fiore, Bryn Tapper, Dagmara Zawadzka, Agustín Acevedo)
  • Chapter 7. The Framework for Ochre Experiences (Foes): Towards A Transdisciplinary Perspective on the Earth Material Heritage of Ochre (Elizabeth C. Velliky, Tammy Hodgskiss, Larissa Mendoza Straffon, Heidi Gustafson, Ann Gollifer, Magnus Haaland)
  • Chapter 8. Why Do Old Dates Fascinate Prehistorians? (Georges Sauvet)
  • Part III. Interdisciplinary Global Rock Art
  • Chapter 9. What Were Rock Art Sites Like In The Past? Reconstructing the Shapes of Sites as Cultural Settings (Jean-Jacques Delannoy, Bruno David, Kim Genuite)
  • Chapter 10. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45ka) At Wadi Defeit, Egypt (Whitney Davis)
  • Chapter 11. Understanding Rock Art: What Neuroscience Can Add (John Onians)
  • Chapter 12. “… And Those Who Expect To Return To The Source Will Find Fog”: Resonances of Prehistory in Modern Art (Rémi Labrusse)
  • Part IV. Tensions in Rock Art Management: Local Vs Global
  • Chapter 13. The Unesco World Heritage List In A Globalized World: The Case Of The Paleolithic Caves Of Northern Spain (1985 - 2008) (Eduardo Palacio-Pérez)
  • Chapter 14. Local – National – Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony (Amy Stevens and Jo McDonald)
  • Chapter 15. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa (Silvia Tomášková)
  • Chapter 16. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (Paul S.C. Taçon)
  • Part V. Rock Art and the Challenges of the Global Now
  • Chapter 17. Translation and Transformation: The Materiality of Rock Art in a World of Bytes (John Robb)
  • Chapter 18. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (Jamie Hampson, Sam Challis)
  • Chapter 19. Replicated Temporality. Time, Originality, and Rock Art Replicas (Laura Mayer, Martin Porr)
  • Chapter 20. Slow Science but Fast Forward: The Political Economy of Rock Art Research in a "Globalized" World (Margaret W. Conkey)
  • Index.

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