Early Netherlandish painting : its origins and character

1. Verfasser: Panofsky, Erwin, 1892-1968
Ort/Verlag/Jahr: New York : Harper & Row, 1971.
Umfang/Format: 2 v. : illustrations ; 24 cm.
Schlagworte:
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100 1 |a Panofsky, Erwin,  |d 1892-1968  |9 98130 
245 1 0 |a Early Netherlandish painting :  |b its origins and character /  |c by Erwin Panofsky. 
260 |a New York :  |b Harper & Row,  |c 1971. 
300 |a 2 v. :  |b illustrations ;  |c 24 cm. 
500 |a Reprint of the 1953 ed. published by Harvard University Press, which was issued as the Charles Eliot Norton lecture, 1947-1948. 
504 |a Includes bibliographical references (v. 1, pages 513-535) and index. 
505 0 |a v. 1. Text. Introduction: The polarization of European fifteenth-century painting in Italy and the Lowlands ; French and Franco-Flemish book illumination in the fourteenth century ; The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 ; The problem of Burgundy ; The regional schools of the Netherlands and their importance for the formation of the great masters ; Reality and symbol in early Flemish painting: "Spiritualia sub metaphoris corporalium" ; "Ars nova" ; The master of Flemalle ; Jan Van Eyck ; Hubert and/or Jan Van Eyck: the problems of the Ghent altarpiece and the Turin-Milan hours ; Roger Van Der Weyden ; Epilogue: The heritage of the founders -- v. 2. Plates. 
590 |a Bibliotecamoralejo 
650 0 |a Painting  |z Netherlands  |x History. 
650 0 |a Painting, Dutch. 
999 |c 1162033  |d 1162033 
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