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LEADER |
01917aamaa2200253 a 4500 |
001 |
001436022 |
005 |
20200804184934.0 |
008 |
730529s1971 mauf b 000 0 eng |
003 |
DE-2553 |
040 |
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|a DLC
|c DLC
|d DLC
|
082 |
0 |
0 |
|a 759.9492
|
100 |
1 |
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|a Panofsky, Erwin,
|d 1892-1968
|9 98130
|
245 |
1 |
0 |
|a Early Netherlandish painting :
|b its origins and character /
|c by Erwin Panofsky.
|
260 |
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|a New York :
|b Harper & Row,
|c 1971.
|
300 |
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|a 2 v. :
|b illustrations ;
|c 24 cm.
|
500 |
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|a Reprint of the 1953 ed. published by Harvard University Press, which was issued as the Charles Eliot Norton lecture, 1947-1948.
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504 |
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|a Includes bibliographical references (v. 1, pages 513-535) and index.
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505 |
0 |
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|a v. 1. Text. Introduction: The polarization of European fifteenth-century painting in Italy and the Lowlands ; French and Franco-Flemish book illumination in the fourteenth century ; The early fifteenth and the "international style" ; Sculpture and panel painting about 1400 ; The problem of Burgundy ; The regional schools of the Netherlands and their importance for the formation of the great masters ; Reality and symbol in early Flemish painting: "Spiritualia sub metaphoris corporalium" ; "Ars nova" ; The master of Flemalle ; Jan Van Eyck ; Hubert and/or Jan Van Eyck: the problems of the Ghent altarpiece and the Turin-Milan hours ; Roger Van Der Weyden ; Epilogue: The heritage of the founders -- v. 2. Plates.
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590 |
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|a Bibliotecamoralejo
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650 |
|
0 |
|a Painting
|z Netherlands
|x History.
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650 |
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0 |
|a Painting, Dutch.
|
999 |
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|c 1162033
|d 1162033
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952 |
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|1 0
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|J Reference
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952 |
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