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|a Garipzanov, Ildar H,
|e author
|9 75757
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|a Graphic signs of authority in Late Antiquity and the Early Middle Ages, 300-900 /
|c Ildar Garipzanov.
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|a First edition.
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|a Oxford :
|b Oxford University Press,
|c 2018.
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|a 1 online resource (404 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|2 rdacarrier
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|a Oxford studies in medieval European history
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|a This edition previously issued in print: 2018.
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|a Includes bibliographical references and index.
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|a Introduction : Graphic signs, graphic visualization, and early graphicacy -- Graphic signs of authority and political culture -- Graphic signs of authority: historiographic trends -- Cultural history of graphic signs of authority -- Graphic signs of divine authority in late antiquity. The origins of early Christian graphic signs. The nomina sacra, Staurogram, and Chi-Rho -- Early Christian authors on symbolic meanings of letters and Christian graphic signs -- Protective seals and the Bruce Codex -- "Magical" characters and their early Christian critics -- Apotropaic graphic devices as a symptomatic feature of late antique culture -- Christograms as signs of authority in the late Roman empire. Lactantius and Constantine I's victorious sign in 312 -- Eusebius and the appropriation of the Chi-Rho as an imperial triumphant symbol in the 320-40s -- The hierarchy of Christian signs in the visual communication of imperial authority in the second half of the fourth and early fifth centuries -- Christograms as paradigmatic Christian symbols at the turn of the fifth century -- The sign of the cross in late antiquity. The early symbolism of the cross and the origins of the cult of the Holy Cross -- The Sign of the Cross as a late antique symbol of authority -- The apotropaic power of the Sign of the Cross in late antiquity -- Monogrammatic culture in late antiquity. Monograms, early Christians, and late antique culture. Late antique epigraphic culture and monograms as epigraphic devices -- The Calendar of 354 and fourth-century Roman aristocratic culture -- Monograms as protective and intercessory devices -- The contemplative process involved in understanding monograms and late antique neoplatonism -- Secular monograms, social status, and authority in the late Roman world and early Byzantium. The numismatic monogram of Theodosius II: monograms as signs of imperial authority in the middle and second half of the fifth century -- Monograms as signs of authority on silverware, weights, bricks, and consular diptychs -- Monograms as visual signs of social power, noble identity, and elevated status: rings, dress accessories, and luxury objects -- Monograms as a symptomatic feature of late antique paideia -- Public monuments and the monogrammatic display of authority in the post-Roman world. From consular diptychs to the monumental display of authority: Juliana Aniana and St Polyeuktos (c.506-27) -- Justinian I, Theodora, and a defensive response: Sts Sergius and Bacchus (c.527-32) -- The monogrammatic display of imperial authority in Hagia Sophia (532-7) -- Monumental monograms and early medieval bishops -- Graphic signs of authority in early medieval Europe. Monogrammatic culture in pre-Carolingian Europe. Monograms as royal signs of authority -- Monograms as signs of social status and Episcopal authority in pre-Carolingian Europe -- Invocational graphic devices in pre-Carolingian material and manuscript culture -- Christograms and the Sign of the Cross in pre-Carolingian material and manuscript culture -- Late antique monogrammatic culture and the origins of monogrammatic lettering -- Monogrammatic revival in the Carolingian world. Monogrammatic initials in Carolingian Gospel-books and sacramentaries -- Royal, Episcopal, Papal monograms as signs of authority in the Carolingian world -- A monogrammatic revival in Carolingian manuscript culture and De inventione litterarum -- The power of the cross and cruciform devices in the Carolingian world. The Bible of San Paolo fuori le mura and cruciform invocations in Carolingian religious manuscripts -- The Sign of the Cross in manuscript and material culture -- Hrabanus Marus' In honorem sanctae crucis: the Sign of the Cross as the main organizing principle of Carolingian graphicacy -- Conclusion.
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|a Specialized.
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|a Description based on print version record.
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|a Online publication
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|a ebook0822
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|a To 1500
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|a Christian art and symbolism
|x History.
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|a Europe.
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|0 (OCoLC)fst01245064
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|a Mediterranean Region.
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|0 (OCoLC)fst01239752
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|a Electronic books.
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|z 0-19-881501-8
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|a Oxford studies in medieval European history.
|9 124196
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|u https://ebookcentral.proquest.com/lib/dainst/detail.action?docID=5352715
|z Available online
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