The Wall Paintings of Bamiyan, Afghanistan : Technology and Materials
| 1. Verfasser: |
Taniguchi, Yoko
, [VerfasserIn]
Cotte, Marine , [VerfasserIn] |
|---|---|
| Ort/Verlag/Jahr: |
London :
Archetype publications,
2022.
|
| Umfang/Format: |
1 online resource. |
| Online Zugang: |
open access open access |
| LEADER | 02924nam a2200313 i 4500 | ||
|---|---|---|---|
| 001 | 003029407 | ||
| 003 | DE-2553 | ||
| 005 | 20240417103103.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr uuu uu| | ||
| 008 | 940923s20229999enka o 000 0 eng d | ||
| 020 | |a 978-1-909492-89-9 | ||
| 040 | |a DE-2553 |c DE-2553 |b eng |e rda | ||
| 100 | 1 | |a Taniguchi, Yoko |9 105687 |e author | |
| 245 | 1 | 4 | |a The Wall Paintings of Bamiyan, Afghanistan : |b Technology and Materials / |c Yoko Taniguchi, Marine Cotte. |
| 264 | 1 | |a London : |b Archetype publications, |c 2022. | |
| 300 | |a 1 online resource. | ||
| 336 | |2 rdacontent |a text |b txt | ||
| 337 | |2 rdamedia |a computer |b c | ||
| 338 | |2 rdacarrier |a online resource |b cr | ||
| 505 | 0 | |t Foreword vii -- Preface ix -- Acknowledgements xi -- Introduction 1 |t Chapter 1 Past studies on materials and techniques used in Bamiyan’s wall paintings 9 -- 1.1 Bamiyan and the wall paintings in its surrounding caves 9 -- 1.2 Wall paintings around the Bamiyan Valley 20 -- 1.3 The chronology of Bamiyan’s wall paintings and their relationships to 30 -- neighbouring works -- 1.4 Past research on technical materials and problems 31 |t Chapter 2 The painting structure and composition of the Bamiyan wall paintings 41 -- 2.1 Objectives and methodologies for analysing wall painting materials and techniques 41 -- 2.2 Structure of the wall paintings 44 -- 2.3 Composition of surface degradation 74 |t Chapter 3 Oil painting techniques in Bamiyan’s wall paintings 77 -- 3.1 Case 1: The foliated scroll design with animals on the ceiling of Cave N(a) 77 -- 3.2 Case 2: Green colouring in the tree deity on the east wall of Cave N(a) 81 -- 3.3 Case 3: Binding media for wall paintings in Cave B(d) 83 -- 3.4 Case 4: Green colour in Foladi Cave 4 and its discoloration 86 -- 3.5 Painting techniques at the Eastern and Western Giant Buddhas 89 |t Chapter 4 The study of variations in painting techniques at the Bamiyan site 93 -- 4.1 Correlation with cave structure and style 93 -- 4.2 Buddhism and paintings in Eurasia: artisans, trade and technology 101 -- 4.3 The history of oil painting: a review of its origins and development 107 -- 4.4 Correlation with cave style 109 -- 4.5 Relationship with Buddhism 114 |t Chapter 5 Conclusion 117 |t Appendix I The Citrasutra 121 -- Appendix II Materials, preparation and methodologies 125 -- Appendix III Results of SR-μXRF/μXRD/μFTIR analysis 133 -- Appendix IV Aspects and techniques of wall paintings found in neighbouring regions 185 -- Bibliography 199 | |
| 590 | |a Online publication | ||
| 590 | |a ebookoa0123 | ||
| 700 | 1 | |9 293621 |a Cotte, Marine |e author | |
| 856 | 4 | 0 | |u https://tsukuba.repo.nii.ac.jp/record/2005186/files/WPBA02.pdf |z open access |
| 856 | 4 | 0 | |u http://hdl.handle.net/2241/0002005186 |z open access |
| 942 | |2 z |c EB | ||
| 999 | |c 3029407 |d 1433162 | ||
| 952 | |0 0 |1 0 |2 z |4 0 |6 ONLINE |7 1 |9 975044 |R 2023-01-11 17:32:35 |a DAIG |b DAIG |l 0 |o Online |p DAIR23010352 |r 2023-01-11 |y EB | ||
