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02925nam a2200361 a 4500 |
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000879181 |
| 003 |
DE-2553 |
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20231107155531.0 |
| 008 |
120130s2010 enka r 000 0 eng d |
| 020 |
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|a 0754667987
|q (hardcover : alk. paper)
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| 020 |
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|a 075469738X
|q (e-book)
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| 020 |
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|a 9780754667988
|q (hardcover : alk. paper)
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| 020 |
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|a 9780754697381
|q (e-book)
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|a DE-2553
|c DE-2553
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0 |
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|a eng
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| 050 |
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0 |
|a LCCN Permalink: http://lccn.loc.gov/2009017751
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| 100 |
1 |
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|a Antonova, Clemena,
|d 1970-
|9 95977
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| 245 |
1 |
0 |
|a Space, time, and presence in the icon :
|b seeing the world with the eyes of God /
|c Clemena Antonova ; with a preface by Martin Kemp.
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| 260 |
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|a Farnham, England ;
|a Burlington, VT :
|b Ashgate,
|c 2010.
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| 300 |
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|a xii, 193 p. :
|b ill. ;
|c 24 cm.
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| 490 |
1 |
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|a Ashgate studies in theology, imagination, and the arts
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| 830 |
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|a Ashgate studies in theology, imagination, and the arts
|9 95982
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| 500 |
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|a Shorter, revised verions of author's thesis -- Oxford University, 2006.
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| 504 |
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|a Includes bibliographical references (p. [173]-190) and index.
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| 505 |
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|a The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object.
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| 590 |
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|a i0312
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| 590 |
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|a idfg12
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| 650 |
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0 |
|a Icons.
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| 650 |
|
0 |
|a Perspective.
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| 650 |
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|a Space and time in art.
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| 700 |
1 |
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|a Kemp, Martin
|9 95979
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| 999 |
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|c 666583
|d 666583
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